These works where exhibited at The Nordic House in Reykjavík as a pat of Sequences Biennial XII: Pása / Pause curated by Daría Sól, in an exhibition titled "Sediment and Signal"

 

work exhibited:

Brittle Hyphea, and the Mothering of Debris

​Interactive sculpture
Clay, steel, silicone, water, electronics.
170cm x 170cm x 260cm​​

 

Fossilised Kin, I, II, and III

Sculpture
Clay, Steel
30cm / 38cm /45cm

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Leaky Bonds, Visceral Murmur, I

Sulpture
Clay, Steel, Recording from the artist’s gut microbiome.
76cm/63cm/150cm

 

​Extract from curatorial text : 

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Her sculptures and installations become meditations on slowness, transformation, responsibility, and interconnectedness. These man-made creatures pose questions about the sustainability of systems and the dysfunctions that arise within them.

 

In a world of overstimulation, she offers an invitation to listen with the whole body, expanding our capacity to notice, feel, and respond to the living world.

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Her multi-sensory installations foreground the intimate bonds between humans and more-than-human beings. Whether through speaker-embedded ceramics or movement-activated environments, her practice slows perception and fosters interspecies empathy. Sounds drawn from the artist’s own microbiome travel through fired clay, while the viewers’ presence influences the rhythm and flow of fluids—reminders of connections beyond language that invite a sensorial encounter.